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To think, I've got the nerve to think of myself as a detective!
I've never been in the same league as, say, Batman, or the Crimson
Avenger, but I always figured I did an okay job as an investigator.
Not this time, though.
"You all right, Ted?" That's Abby Walker, my friendly contact in
the Syracuse Police Department.
"Yeah, I'm fine."
"Then when are you coming in off that roof?"
It's been a week since we got back from New York and found the
letter that had been forwarded along from Warrior's Bar in New York.
A letter that appears, despite all logic, to have come from Doctor
Charlie McNider. Now a walking medical miracle like myself shouldn't
be surprised at getting a letter from a doctor, but there's one
small problem with this one.
Charlie McNider is dead. I should know, I was there when he died.
"Ted, get your sorry butt in here! Dinner is getting cold!"
I flip my body over, and crawl in through the window. The roof
of the porch makes a great place to sit and get a little sun when
I want to think by myself for a while. I shut the window and look
around the living room. There, on a folding card table, is the evening
meal that my lady friend has prepared.
"Ah, I see ya went all out tonight, Abby." I can't help it, I'm
grinning.
"Oh, shut up and eat your Big Mac!"
After a simply divine meal, we get back to the matter that's been
puzzling us for a week. "Any luck tracing any of McNider's former
employees?" I ask.
"A little." she replies. Bobby Travers, McNider's former driver,
did turn up in a hospital in Starlight City late last year, about
a month before the Invasion*. He was beaten up pretty badly, which
jibes with the letter."
(*whaddaya mean, "What Invasion?" Haven't you read the Cold
Armageddon crossover event yet?)
"Where is he now?" I ask, as I 'do the dishes'. Once I've tossed
the bags, wrappers and napkins in the trash can, I turn to Abby
for her answer.
"He was there for two months. Then he was released into the care
of Myra Mason, McNider's former secretary. No address given."
"That can't be right. Myra died a about a year before Charlie did."
"I'll see if I can find anything more on her. I've got a friend
at the Department, in Data Services, who owes me a couple of favors."
"Well, that's it then. I was hoping to have some more information
when I took this to the JSA, but the only way I'm getting that is
to travel to Starlight City. I'd do better to get the rest of the
gang in on it." I pour a couple of cups of coffee and take them
over to the couch. "We've got a meeting tomorrow, so-"
One of the many pains of the heroing business is communications.
You can't just have a regular phone, cause it would never be right
to be exchanging trade secrets with Superman over an open phone
line. And if you deal with different groups, or with particular
security-minded folk like Oracle, they all want their own way of
getting in touch with you. Add that to the problems with keeping
your masked life and your normal life separate, and it gets messy
real fast. After all, I can't exactly have a regular phone, a blue
'JSA' phone, a black 'Bat' phone, and a purple 'Oracle' phone in
my place. So, you come up with workarounds. Like the special ringer
I have in my place. My JSA communicator, my scrambled cell phone,
and my regular phone are all hooked to it. But the ring is different
depending on which device is being called. This time, speak of the
Devil, it's the JSA line. I grab my cell phone.
"'Cat here. Whassup?" I answer. I just know that if it's Jay or
Alan, they're gonna groan at my greeting. I'm a little disappointed
when he doesn't.
"Wildcat, Flash and I need to see you right away. At the Brownstone."
I don't believe it. Alan's usually the easiest one to tweak. Must
be serious.
"D.I.N.A.H.'s teleporter on-line?" I ask, referring to the artificial
intelligence system that operates our regular headquarters, the
Higher Authority.
"Just say the word." Does he realize that he's setting himself
up here?
"Hang on a moment." I set the phone down, dash to my room, switch
to my 'work clothes', explaining to Abby as I do that I gotta run,
it's JSA business. I grab the letter, give her a quick kiss on the
cheek, then I grab the phone.
"Okay. Beam me up, Scotty!" I've wanted to say that for years!
"Very funny, Captain Jerk!" comes the reply just before the room
fades from sight. Good, he ain't dead yet.
The next thing I see is the foyer of the old JSA Headquarters in Gotham
City. We haven't used it regularly for a couple of years, and we've
talked about opening it up to the public as a museum. Sentinel has
been keeping an eye on it, and making sure that it isn't collecting
too much dust. I've made it known, pretty loudly at times, that I'm
in favor of moving back here. The Justice Society belongs down here,
on the ground. Let the Justice League float around up beyond the atmosphere.
I don't get much time to reminisce, though. Sentinel and Flash
are waiting for me.
"What's the deal, gents? Someone try to hijack the satellite?"
"No, this is a little more personal, Ted." says Flash. Jay's got
a funny look on his face. For that matter, so does Alan. "Come on
into the meeting room.
"Okay. Look guys, long as I'm here, I've got something that I think
we need to look into." We walk into the big room, and I stop dead
in my tracks. Someone is waiting for us.
"Who let him in?" I ask.
"He called me, Ted. He's got some news for you." Of course: Gotham
may not be his home now, but he would still know how to get in touch
with Gotham's previous guardian.
He's got the whole thing down. The look. The moves. The presence.
Even I get cautious when I see him, and I helped train him, fercrissakes.
The Batman.
"Good evening Ted. Sorry to pull you away from home. How's your
new life working out?" How does he do that with the voice? Even
making small talk, he sounds menacing.
"Better than I could have hoped. Next time you're in touch with
the folks at the Wayne Foundation, pass along my thanks. The MetaHuman
Resettlement Program is a success, as far as I'm concerned." The
MRP was set up a few years back to help misplaced heros, like myself,
get back on their feet.
"Good. I asked Sentinel to call you down here because of some information
I came across last week. It involves you."
"What sort of information?" I glanced at Jay and Alan, but they
obviously have no idea what the Batman is referring to.
"Actually, I think the one who found it should explain." He gestures
toward the corner. I hadn't noticed the figure in the corner before
this. He looks up, and smiles.
"Robin! How ya doing, kid?" He steps forward, letting the black
cape fall back over his shoulders. Kid's getting better at skulking
in the shadows. Almost as good as his mentor.
"I'm all right, Wildcat. S.O.S. Same old stuff, with school and
all." He comes over to shake my hand, and I pull him into a hug.
Kid's saved my bacon a couple of times, and I, his.
"I hear ya, kid. I'm back in school myself these days. So, what's
the scoop?"
"Well, as part of my training, I've been working on a computer
imaging program for identifying fingerprints. It takes the digital
scan of a latent image, stores it as both a mathematical pattern
and a bitmapped image, then it does a comparison against a set of
prints in a database."
"I think I followed about one third of that, kid, but I'll take
your word on it. How does it concern me?"
"I was doing some test runs on it last week. The FBI sent us some
prints from recent captures."
"Of course, I didn't tell Robin whose prints they were." comments
Batman.
"That makes it more of a test when we get a match." says the kid.
"I ran them through the program, then started the comparison routine.
Usually, I run the comparison against the criminal database, but
I wanted to see how long it would take if I expanded the search.
I added the immigration database and the missing persons databases.
That's when I came up with a very odd set of matches. To be honest,
I thought I had found a bug in the program."
This kid is gonna give Bill Gates a run for his money someday,
I just know it. "I still don't see what this has to do with me,
kid."
"Bear with me, Wildcat. The immigration database had two matches
for the prints. One was for a person leaving the US in 1953. The
other was for an incoming about three years ago. But the kicker
was the missing persons database. The same prints showed up in there,
for a case from 1952."
Oh, hell. I know where this is going. But who's the crook whose
prints they match?
"Wildcat. Ted. The missing person case was a child, named Jacob
Henry Grant. The mother of record is Irina San Paulo. Father of
record -"
I interrupt that Batman, something I don't normally recommend.
"Ted Grant." All eyes are on me as I sit there, my head held in
my hands. "Yeah, I know all the birth statistics. Weight, ten pounds,
seven ounces. Length, nineteen and a half inches. Like I know my
fight record, my address, hell, like I know my own birthday." I
look up at Robin, who has this very sad look on his face. "Okay,
so who is he now? Who's the crook with my son's fingerprints?"
"You know him, Wildcat. It's Jake Crock. The Sports Master."
I don't think I've been hit with so many questions at once since I
gave up the heavyweight title.
Flash and Sentinel are falling all over themselves, asking me about
Jake. I've not told too many people about him, or about Irina. I
find myself telling them the full story. How Irina San Paulo and
I met when I was doing a round of exhibition matches in Mexico.
How she joined me on the tour, how her paintings of me were used
for the promotional posters, how we fell in love. How we settled
on the coast in northern California when we discovered she was pregnant.
How proud I felt, holding my son in my arms for the first time.
And finally, how I came home from the gym one cold December afternoon,
to find her crying on the couch, a soggy note crumpled in her hands.
"Wildcat, how rude of you to be away when I stopped
by to visit. Still, I'm sure your boy and I can have some fun before
we're through."
Under the note, was a crude drawing of a wasp. The Yellow Wasp.
"Why didn't you ask for our help, Wildcat?" asks Jay.
"Look, you guys had all hung up your masks, I didn't even know
how to get in touch with some of you. It's not like I was all that
much a part of the JSA back then, you know?"
"Ted, we would have helped if we had known."
"I know. But I figured I could track him down myself. Now I know
why I couldn't at least."
"Yes, it appears that the Wasp took Jake out of the country just
about a month after the kidnaping. According to the immigration
records, they went to Korea." The Batman is looking at the screen
of a small device in his hands. "That's where Jake was coming from
when he re-entered the country three years ago."
"Look, Ted, if there's anything we can do..." offers Sentinel.
"I'll ask. This time, don't worry. I'll ask." I look around to
the guys gathered around me. "Look, I've got a couple of things
to sort out in my head before I do anything. Jake is locked up at
Belle Reeve, so I know he isn't going anywhere. And I have a good
idea where to go for some information about what's happened to him.
Just let me take a day or two, okay?" Nobody objects.
"Before you go, Wildcat, I'd like a word or two in private." Of
course he does. The Batman and I walk out into the foyer.
"Wildcat, I'm sorry to be the one bringing this news. I called
the others in, I thought it would be better if you had some friends
here to help absorb the shock." If I hadn't known him as a teenager,
I wouldn't believe I was hearing this.
"Thank you, Batman. I really appreciate it." I grin at him. "But
don't worry, I won't spoil your bad-ass reputation."
"The least I could do, especially after the way you handled the
Manhunter case last week. I got your file on that."
"I told Kirk you might be looking him up. He's back at the lodge,
if you want to meet with him."
"I know somebody who could use a vacation in the Adirondacks. Perhaps
it would be a good idea to book a room at the Good Winds lodge for
a week or so. Thanks, Ted."
You know, I've heard crooks say that one of the scariest things
to see, is the Batman swooping down at you from a rooftop.
They're wrong.
They haven't seen him smile.
I let Sentinel use the teleporter to send me back to my apartment.
By this time, Abby has gone off to work, and the sun is down. I don't
bother with the lights. I grab a cold beer from the fridge, and sit
down in my easy chair facing the window, looking out over the city.
I think it's around midnight when I hear the knock on the door.
"C'mon in." I say. I hear it open and close.
"You all right, Ted? I thought I heard you walking around a while
ago, and you said something this afternoon about -"
"Yeah, yeah, the posters for the gym fundraiser. I'm sorry, Toby,
I kinda forgot. How about tomorrow?"
"Sure, Ted." There's a kinda long pause before he talks again.
"What's wrong, Ted?"
Toby's a good kid, and he's Abby's kid brother. I figure he's as
good a person to talk to as any right now.
"Just a bit of my past coming back to haunt me." I turn, and I
can just see him in the light coming through the window. "You want
a beer? Help yourself."
"Sure." He digs a couple of bottles out, tosses me one. That's
when I realize that I'm still holding the first one. Mostly full.
"So, one of the bad guys coming after you for revenge?"
"No, I wish it was that. Toby, I have a son out there. A son I
haven't seen since 1952." I tell him the same things I told my buddies
from the JSA.
"Jeez, Ted. What the hell are you doing here? Why aren't you down
at that prison now?"
"Not yet, Toby. When I see him again, I want to have some of the
answers ready. I want to know where he's been, and how he wound
up with Paula and Crusher Crock. I want to know why he looks like
he's about twenty five, when I know he's in his late forties."
"Not the way I'd handle it, dude."
"Right now, he don't know me from Adam. He was told to kill me,
and he was ready to do it. Hell, as far as he, and most of the world,
are concerned, he DID kill me. I gotta be able to combat that."
I take a pull from my bottle. "You know something, Tobes? In the
last sixty years, I've been on top of the world, I've fought alongside
guys who might as well have been gods. I've had folks cheering my
name and women falling at my feet. I've faced down death a couple
dozen times. I've been paralyzed, I've played god with a bunch of
mad Norse demons. I've fought off an alien armada, single handed*,
and you know what?"
{* once again, during Cold Armageddon}
"What, Ted?"
There is a cracking noise, then a loud snap. It takes a second
for me to realize that I've got a handful of broken glass.
"I'd give it all up just to hold my son again."
The next morning, I hop a plane for Richmond, Virginia. I rent a car
and drive northwest, into the mountains. Finally, I arrive at a secluded
estate about twenty miles south of Charlottesville. I pull over about
a half mile past the gates, get out and take a look around.
Nice little getaway she's got here. I heard she ended up with a
nice little inheritance from somewhere. Could be the only honest
money she ever had. I slip into my costume, take a leap off the
roof of the car, and swing up into a tree. From there, I make my
way toward the house. I almost make it undisturbed.
*TWAAANGGGG!*
I've heard that sound before. It's the sound that a hand-held crossbow
makes when it fires a bolt. It registers in my unconscious mind
first, so I find myself diving to one side with actually knowing
why. It's only as I tuck my shoulder to make a rolling impact on
the ground that I realize someone is shooting at me.
I alter the roll so I come up facing the direction where I expect
to find the shooter. All I catch, though, is a fleeting glimpse
of a brown boot diving into the shrubs. I stay low, and start stalking
the shooter. I reach the tree that was used as cover for the first
shot, and see the answer to one of my questions: there is an open
trapdoor that leads underground set into the ground. I haven't been
stalked since I came into this grove, the shooter must have just
come out here. Makes me wonder how many of these little doors there
might be in the ground around here.
*TWAAANGGG!*
Another bolt goes whizzing by me. I turn, and I see her. Dressed
in shades of red and brown. Not the costume I recall her wearing,
but what the heck? After all, I'm disturbing her afternoon at home.
"I come in peace, Artemis. I just wanna have a little talk with
your Mom!"
"The hell you do, Wildcat! You bastards already killed Daddy, and
you've got Jake! What more do you want from us?" I see her slide
the crossbow into a holder on her thigh. She reaches for a throwing
knife in her belt. "Mother is in no shape to go to prison!"
"She done something that calls for prison time? First I've heard
about it." I reply.
"Then why are you HERE?" She emphasizes that last word by hurling
the knife at me, end-over-end. I flatten out, and I hear the deep
meaty 'thunk' as it embeds itself into the tree behind me. I leap
up and pull the knife from the tree trunk. Without stopping, I whirl
around and send it flying, butt-first, at the tall, slender redhead
who is drawing a bead on me with a full-sized bow. It strikes her
on the forehead, a couple inches left of center. She drops to the
ground.
Moments later, I let myself in the front door. Inside, it ain't what
I'd pictured. I was expecting old South, light colored walls, sweeping
staircases. Instead, I find an entryway that's paneled in dark woods,
with trophies on all the walls. What I can see of other rooms, it's
much the same throughout.
I shouldn't be too surprised: Paula and Crusher were never what
I'd consider normal.
"Paula? You in here?" I holler out.
"I'm in the ballroom. Left from the door, through two rooms, then
turn right." It's her. Her voice hasn't changed much, though she
never sounded so calm and welcoming when we fighting.
I make my way through the old plantation house. Aside from the
stuffed animals, I gotta admit, I kinda like the place. That is,
until I find the ballroom.
First of all, it's big. Probably fifty feet or more in each direction.
The big sweeping staircase that I associate with these places is
here. If you can get to it.
The place is full of plants. I don't know at first if they're potted,
or if she's dug up the place and planted them in here. All I do
know is that it's stinkin' hot in here.
"How dare you wear that costume?!? You imposter!" The voice is
coming from above me. I look up, and there, on a balcony overlooking
this indoor jungle, is Paula.
Paula Brooks-Crock
The Huntress. Version 1.
Back
before I got my clock turned back, she probably would have looked
pretty good. God knows, she always was a looker. Knew it, too. That's
what strikes me most now, though. Where before, she always showed
off those killer legs, now they're covered by an ankle-length skirt
of her usual tiger-striped outfit. That, and the hair that's pulled
back under the hood is white as snow.
"How're ya doing, Huntress?" I ask.
"Who are you? You're not the Wildcat I know, he's dead!" she nearly
shrieks.
"How do you figure that, Huntress? Nothing has ever been said in
the press about me being killed. So how would you know about it,
unless -" I reach a hand up and grab the front of my mask, "you
sent your kid to kill me?" I pull the mask off and look up at her.
"No! It can't be! You're dead!" Damned if she isn't shaking. "But
wait a minute? You're, you're so much younger than you should be..."
"That's right, Paula baby, and I have you to thank for it. When
one of those gizmos that Jake tried on me struck the lake at my
cabin, it reacted with some chemicals in the water. It acted like
a fountain of youth on me, made me the man I am today." I grin,
watching the puzzlement in her eyes. "Now, I've got a few questions
about Jake."
She throws her head back and starts laughing. "Oh, this is just
sooo delicious! I waited three years for this, and I thought I'd
lost the chance!"
"So, you knew who he was?"
"Oh, yes, Sang Tze filled me in on the whole story before he died."
"Who?"
"Sang Tze. The Yellow Wasp!" She stares down at me. "You never
knew, did you? You never had a clue who the Wasp really was! But
I'm forgetting my manners." Paula gestures toward a table on the
balcony. "Please, won't you join me for lunch?"
I grab one of the tree limbs over my head, swing on it a couple
of times, then launch myself up to grab the balcony railing. I haul
myself up and over it, then grab myself a seat.
"Still the show-off, I see." she purrs.
Lunch is a surprisingly simple affair. French onion soup and ham
sandwiches. Not what I expect a wealthy dowager to serve, but then
what do I know about wealthy dowagers? We make small talk like a
couple of old friends until a maid has cleared away the dishes and
served tall glasses of sweet tea.
"Now, you were wondering about the Yellow Wasp, and about my boy
Jake, right?" she says with a sly smile. She's baiting me.
"Not your boy, Paula. My son." I state it simply, matter-of-factly.
"Possession is nine-tenths of the law, Ted, and I think that especially
applies when nobody knows of the previous owner."
"I know. Fingerprints show it, and DNA will prove it."
"Yes, but can that make him see you as his father?"
"We'll just have to find out. But first, I want to know how he
wound up with you." I lean forward on the table, letting my weight
tip it slightly. Just enough to remind her that there is an angry
heavyweight sitting across from her.
"Of course, of course." The Huntress leans back in her chair, gazing
up at the ceiling. "A little over three years ago, I had just gotten
out of prison. I had come back here after finding out that Crusher
died in the Slab. I was still settling back in here with Artemis
when Sang Tze and Sang Jak showed up."
"Sang Jak? Is that Jake?"
"Yes, it's the Korean form of Jake, with the Wasp's, well, it's
not a surname as we know it, but you can think of it the same way.
Still, I knew as soon as I saw them, that they weren't really father
and son."
"Yeah, I saw Jake's face. Somebody might take him for part Mexican,
which he is. But not Asian."
"True, very true. He reminds me so much of you, when you were younger."
She glances over at me. "Of course, you look much the same now.
I better watch Artemis around you." She looks off into nowhere for
a moment. A ghost of a smile blows across her face. I figure I know
the night she's remembering. Not wanting to dwell on that particular
episode myself, I prod her a little.
"So, what did the Wasp want with you?"
"He wanted me to use your son, of course. Sang Tze was dying of
cancer when he came here. He wanted to leave Jake with someone who
would appreciate his lineage, and use his talents, ahhh, shall we
say, in an appropriate manner."
"For revenge against me, you mean."
"Exactly!"
"So, what happened to Sang Tze?"
"He stayed with Artemis and I for a couple of weeks. One morning,
he didn't come to breakfast. My maid found him in his bed. He had
passed away during the night." A wistful little smile flashes across
her face. "I suppose the dancing we did the night before was too
much for him."
A bell rings somewhere in another room, catching the Huntress'
attention. "Oh, dear. I really must be going. I have an appointment
that I simply cannot miss. I do hope you understa-"
"What about my son, Paula? Why did the Yellow Wasp take him away,
and why does he look like a young man?" I reached for her arm, but
she pulled back in time to avoid my grasp.
"Oh, it's all in here!" She reaches into a concealed pocket on
that big skirt of hers, and pulls out a tattered-looking brown leather
notebook. "Sang Tze told me to give this to you if you found out
who Jake really was. It has all the answers." She tosses it over
the railing with expert aim, and it lands on a small desk by the
door below. I lunge for it as she throws, leaving myself wide open
for a sucker punch from the side. The wind gets knocked out of me,
and I collapse on the railing. "Please, feel free to take it with
you. If you ever get out, that is!"
The Huntress grabs my legs and heaves me over the railing. I come
crashing to the floor in the jungle-like ballroom. I look up in
time to see some type of grating swinging down from the walls, forming
a grillwork ceiling over the entire room. Then I hear the sound
of a gate being opened, followed by a low menacing growl.
"Ta-ta, Wildcat. It has been nice seeing you again. Too bad it's
our last time together." I look up and see her walking back away
from the balcony railing. I force my gaze away from that balcony,
just in time to spot a dark blur moving toward me through the trees.
Instinct kicks in, and I drop into a crouch as the panther goes
flying over my head.
"Nice kitty." I mutter. It hits the ground, scrabbling to get turned
around and check me out. Probably likes what it sees, too. After
all, I'm smaller than a lot of his natural prey. In this dark outfit,
I stand out like a beacon against the trees. Probably thinking it
has an easy kill, if it can even think that much.
The big cat crouches and springs again, diving for me. He could
keep this up all day, I'm sure. But I have better things to do than
entertain Paula's little pet, so instead of ducking under this jump,
I leap up into it. We collide in mid-air, my shoulder connecting
with soft belly just back of the ribs. As soon as we make contact,
the thing's rear claws are pawing at me. The costume takes a lot
of it, the kevlar's tough enough to take the sting out of those
claws. I try to arch myself forward so I land on top of the beast.
I overdo it, and when we hit I flip forward off the kitty. It's
scrambling around, trying to get off its back, while I unwrap myself
from the tree trunk that so helpfully cushioned my fall.
Okay, round three. I stand up in front of the tree, one foot forward,
the other behind me and turned 90 degrees. Kitty is up and prowling
back and forth, trying to decide how to bring me down. All of a
sudden, it charges me, low to the ground. I jump up and actually
plant one foot, then the other, on the panther's back. I kick back
with my feet as they make contact, driving kitty toward that tree
trunk. His head smacks the trunk, pretty hard to judge by the sound
and the flexing of the trunk. The cat leaps and turns at the same
time, and I catch a claw across my left arm. I lash out with a right
cross, connecting with kitty's head. The cat goes down for a couple
of seconds, but rises up to stalk me again. I'm keeping one eye
on him while the other is looking for a way out, something to use
against this kitty, or both. No luck. The only thing around are
trees and bushes.
Hmmm.
I start moving around the room with a funny kind of sidestep that
lets me keep an eye on the panther as I move. I'm looking for just
the right tree, and in a room full of indoor plants it should be
easy to find. Takes a couple of minutes, but I find just the thing.
Now to get this dumb damn cat to follow.
"Okay, boy, you want to play? Come on, come at me!" Yeah, I know
the thing probably doesn't speak English. It ain't what I'm saying,
it's how I'm saying it.
I'm taunting it. Attracting an attack.
Kitty doesn't disappoint me. This time, I spot the animal going
into it's crouch. It's enough warning for me to leap back and grab
the narrow trunk of the sapling I found. Kitty springs at the location
where I'd been standing, leaping for the tree as I haul back on
it. It bends back more than I had hoped for, so the top of the tree
is nearly touching the ground. Giving a final pull, I let go.
Heh. Ever wonder where they came up with the word catapult?
Kitty goes for a pretty good ride, until he smacks into the grillwork
above. Hits it with a loud bang, then drops like a lead weight back
to the floor. I can see its chest rising and falling as I rush for
the door, snatching the notebook up from the table as I rush out.
Hey, the poor thing was just doing what comes naturally. If I could
have taken it with me, I would. But the airlines tend to frown on
bringing jungle cats along for the ride. I make my way outside and
back to my car, tearing strips from my costume to bind up my bleeding
arm.
I spend the flight from Richmond to Syracuse reading. As I figured,
it was written by the Yellow Wasp.
Not too long ago, Ted Knight and I had a long talk. He's been spending
the last few years playing coach for his son David, the current
Starman. He told me that one of the most disturbing things he's
experienced is learning the full life story of a couple of his old
foes. Disturbing, and yet satisfying at the same time. After reading
Sang Tze's little memoir, I finally understand what he's talking
about.
Dear Jake,
I will be leaving these notes with
Paula Crock, to be given to you when and if the memories that we
are planting in your mind should, for whatever reason, be lost to
you and you once more remember your life as my son. We are giving
you these new memories, and indeed a new life, to spare you the
grief of my death, and to start you out with a clean slate in your
new life as Jake Crock.
Unfortunately, the life you will
now remember with me is not entirely true, either. I have little
doubt, though we have never spoken of it, that you know that I am
not your true father. Your features and build are almost alien to
our Korean culture, despite your efforts and mine at making you
blend in. But you can not help your true parentage. You are the
son of two Americans, one of them a long-time enemy of mine, and
therein lies your story.
To understand fully, you must know
of my own personal history. My family came from Seoul to San Francisco
in 1936, when I was in my teens. I had been a promising student
at the schools of Korea, and my parents came to America to give
me the chance to be more than I might hope for at home. In 1938,
I was enrolled in the University of California's Engineering program.
My parents gave everything they could for their dream of my completing
college. They worked long hard hours, picking fruit, sweeping sidewalks,
clerking in stores, anything they could find to make a few more
dollars for the family. I was in my last year of college when war
broke out. The American government, in response to the fears and
prejudice that ran wild in the western states following Japan's
attack on Pearl Harbor, set up their filthy interment camps for
those suspected of sympathizing with the Japanese. Of course, they
assumed that anyone of Asian descent was a Nipponese sympathizer,
and my parents and I were all taken prisoner. I had my dream of
a college education stolen from me, but even worse, my parents,
who had never done anything against their new-found home, had their
dignity and integrity stolen away. In the camps, my father was a
broken man. Even when we were released in 1945, he remained broken.
I worked some small jobs, as best I could, to make enough money
to take my parents home. But I swore that, when I returned to America,
I would be one whom the Americans feared and respected.
In 1947, I did return. As you probably
know, in America, several costumed mystery men and women appeared
during the days of the War. When the war ended, many of them turned
their sights on the crime that seems ever-present in American cities.
In response, many of the criminals likewise donned colorful costumes
and adopted special weapons or gimmicks to establish their identities.
I chose to do likewise. I had used my education while in Korea to
work on technology programs for the Army, and I adapted some ideas
from their work for my criminal career. I created a winged flying
pack, and various types of stinger and dart weapons. I created a
costume and took the name of Yellow Wasp.
My first sojourn was in San Francisco.
I had developed a sonic device that allowed me to control swarms
of wasps, and I used it to render people helpless during my robberies.
My activities attracted the attention of a costumed hero named Wildcat.
He stopped a number of my robbery attempts, though I can proudly
say that I was never arrested during this time. Therefore, my identity
never became known. I moved on to other cities, and I was more successful.
I sent most of my spoils back to my parents, letting them believe
that I had finally finished my college degree and was working in
the USA. Many more times, during the next four years, I crossed
paths with Wildcat. During those conflicts, I observed him as best
I could.
Wildcat was very obviously an above
average athlete. He was taller than most Americans, and in far better
physical shape. By watching him, I came to the realization that
he was an expert in boxing, though he appeared to be learning other
martial arts forms over the period of time I observed him. We met
in several different towns and cities over the years, leading me
to believe that he spent much of his life on the road. I started
checking newspapers in towns where we met, and soon came to the
realization that Wildcat must be Ted Grant, who was, at that time,
the heavyweight boxing champion of the world. This gave me a new
target to watch.
In 1952, Ted Grant was no longer
the heavyweight champion, and I had not run into Wildcat for over
half a year. I was in San Francisco again, and I saw a small news
article about Ted Grant making a public appearance one of the old
Fair Play Clubs that had sprung up after the war. I went there,
out of costume, and I followed him home afterward. That's when I
discovered what would be my ultimate revenge on the hero.
Apparently, Grant had found himself
a lady friend. No marriage, unless they did it without publicity.
Still, it was obvious that there was a lot of love between them.
Ted, his lady, and his son. He handled that boy like he was the
most valuable treasure in the world. That's when I knew how I would
exact my revenge.
I watched the home for three weeks.
I got to know Grant's habits. He was retired from professional boxing,
but he was operating an athletic club in the city. Every day, without
fail, he left at 6:30 in the morning, and returned at half past
noon. I followed him twice, saw that he went in, handled paperwork
for a half hour, then spent four and a half hours working in the
club, helping kids, training young boxers, and working out. I was
finally satisfied that I wouldn't be caught.
The boy's mother was another matter.
She never left the home without him, never left him in the care
of a sitter. But every morning, as her son napped, she went out
to the porch and painted. From what I could see, she was quite good
at it, too.
It was a Friday morning when I struck.
She was outside, absorbed in a seascape. I didn't wear my costume.
I slipped in through a window, and stole away Wildcat's son. I left
a note, so that he would never doubt who was responsible for his
loss. I didn't worry about him tracking me down, for I had already
made plans to leave the country. I only had to avoid him for a few
weeks. I spent them in San Francisco's Chinatown. To an outsider,
Chinatown is a maze of small shops, homes, and questionable enterprises.
To one who belongs there, however temporarily, Chinatown is a world
unto itself. I disappeared into a shop of antiquities, and never
set foot in the streets of San Francisco until February of the following
year. That was only long enough to reach the wharf and catch a ship
bound for home.
Jake, my son, you are no simpleton.
You must surely realize by now that the child I stole away all those
years ago is you. I brought you home to Korea and raised you as
my own. As the years passed, I noticed with some concern that you
did not seem to be growing and maturing at a normal rate. I found
no satisfactory reason for this, but I did note that when reports
of Wildcat's return to the public life reached Korea, he did not
seem to age very much either. I have suspected that he did something
to extend his life while he was associated with America's other
superheroes. I know that they had several types of magic and advanced
science at their disposal, so anything is possible. Whatever means
he used, it must have altered his body chemistry so that it was
passed along to you.
You made me most proud, my adopted
son, when you received your medical degree and started to practice
medicine among the impoverished of our home country. Together, with
my science and your medical knowledge, we have been able to help
a great many people in our home.
I leave you this journal because
I am now, in effect, stealing your life with me away. I am leaving
you with a woman who I worked with on occasion during my criminal
career. Together, we are using an array of hypnotic and psychological
techniques to imbue you with a new set of memories. You will remember
growing up as Paula Crock's son, and I have little doubt that before
long you will assimilate her own particular psychotic and antisocial
tendencies.
I am asking her to hold this journal,
and to give it to you if it appears that you are regaining your
own memories. I will not be there for you, and for that I am sorry.
But I hope that you will remember me fondly, for you were as much
a son to me as any flesh and blood could ever be.
With all my love,
Sang Tze
Ain't that a kick in the pants? Here he is, the creep who stole my
Jake away, who cost me the one woman I ever even thought about settling
down with, and I've got a lump in my throat the size of a freakin'
grapefruit when the flight attendant asks if I'm okay.
Tonight, I can't avoid it. It's her night off, and she's already at
my place when I get there. I figure I must look like hell when I walk
in, cause she's all over me before I even close the door.
"Ted! What's the matter?" She runs, I swear, she literally runs
across the living room and puts her arms around me. "You look like
you've been through a wringer!"
"I have, Abby, I have." I run a hand through her mop of black curls.
"Look, you better sit down. I got some stuff I need to tell you."
I don't hold anything back. I tell her about Irina and Jake, about
the kidnapping, about spending three years tearing up and down the
west coast, looking for any information about him. I tell her about
the night I came home and found Irina waiting in the living room,
her stuff already packed into her brother's car. As I tell her about
Irina screaming at me, in both English and Spanish, about it being
all my fault that Jake was kidnapped, she tries to reach for me.
I know that if I give in to the luxury of her arms, I won't get
the whole story out. Instead, I stand up and start pacing around
the room. I tell her how I tried to stay in touch with Irina, and
how I returned from Ragnarok to find that she had died in a car
accident in Colorado. I give her a slightly edited version of the
revelation at the JSA brownstone, and about my trip to the Crock
estate. Finally, I hand her the Yellow Wasp's journal and let her
read it on her own. I collapsed into my easy chair while she reads
it, my head laid back, just letting the tears run down the side
of my face.
It seems like hours later when I feel her touch on my hand. "Ted?"
she whispers. I don't know, maybe I dozed off. "Ted?"
"Yeah?" I raise my head up and look at her. Man, I haven't felt
like this since Al and I tied one on after Terry Sloane's funeral.
"It wasn't your fault, you know." she says in a soft voice. "If
you've been blaming yourself for all this, don't. I see people like
Sang Tze all the time. They make other people's lives miserable,
and the victims end up thinking they deserve it. But that's wrong.
And it's his biggest crime of all."
I think about that for a few minutes, squeezing her hand to let
her know I haven't forgotten she's there. I know as well as anybody
that there are bad people out there. They're going to do some bad
stuff, and hurt a lot of people in the process. I've spent a good
part of my life trying to stop people like that. I've succeeded
sometimes, and sometimes I've failed. But in the case of my own
family, I should have known to take extra precautions, and I tell
her that.
"Ted, you were isolated, you were retired, this was more like bad
luck out of the blue. But now that you know the full story, if you
keep blaming yourself, the Wasp wins!" Now her eyes are flashing,
that dark light that I only see once in a great while. "Don't let
the bastard win, Ted! He's gone, you're still here, and Jake is
still here. And you have the chance help Jake, don't you see? With
this journal as evidence, if the hypnotic suggestion can be broken,
and Jake's false memories removed, he'll be free! Free to come here,
to learn what being a good man is all about. To learn from the best
man I know!"
Damn. I knew my feelings toward Abby were getting pretty intense,
but it looks like she's a couple laps ahead of me here. I reach
up and pull her down into my lap, and for a while, we just sit there,
holding on to each other. Finally, she raises her head and looks
at me.
"So, what are you going to do now?"
"ah, umm-"
"I mean about Jake, silly!"
"Yeah, well, I already placed a call for Dr. Fate through the JSA.
He's not one I can call directly. But I figure that he's the best
bet for breaking any hypnotic hoo-doo that the Wasp used on Jake."
I pause to see her reaction. "Then, I'm going down there to have
a long talk with my son."
You know, any story that ends with me being kissed by a beautiful
woman can't be all bad.
Yes, it's true. At least, it's true in our world. Jake Crock is
really Sang Jak is really Jake Grant. I have to tell you, the writers
at DC haven't given us much to go on regarding Jake. In the new
JSA series there are some hints about him being the new Killer Wasp,
or having been tied to him, but before that (which means at the
time FDC history splits from that other DC) the only thing that
had been published was that Ted had a son, and he had been kidnaped
as an infant by the Wasp. Talk about letting a plot thread hang!
Oh, and there's that other mystery. About that Doctor fellow. You'll
have to hold on to that one for a while.
I hope you enjoyed my attempt at serious character development
here. For the next issue, I'm going almost 180 degrees, and having
a little fun. It's a flashback to 1942, with Wildcat working alongside
one of the true powerhouses of the Golden Age! (You'll just have
to come back next time to find out who it is, though, won't you?)
As always, any questions, comments, complaints, offers of bribes,
or other random thoughts can be sent to me at
cjburke@technologist.com. Some of you have been commenting about
the series on the FDC mailing lists, and let me tell you, that makes
my day! Whether its praise or (the thankfully rare) criticism, I
enjoy hearing from folks, so keep it coming!
Till next time,
da 'Cat!
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